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“Sad Presentiment” is among the best adaptations I’ve heard in a long time and stands as the best adaptation on the disc. The addition of a third vocalist in Sara Jangfeldt is quite refreshing. 1 once again (her thrilling work on “Thanatos -If I Can’t Be Yours-” comes to mind). She pulls off that whispery and detached jazz-club songstress vibe quite well, but it’d be nice to listen to her channel that wonderful energy she had going in Platina Jazz Vol. Though her vocal style is very much in the jazz tradition, I would still like to hear her pull out the stops a little bit more and perform more emotionally. She manages to be expressive but low key in the typical jazz style without approaching sterility as she was in Vol. Her performance on this volume rights many of the gripes I had of her from the previous installment. RASMUS FABER PRESENTS PLATINA JAZZ ANIME STANDARDS DOWNLOAD FREEThough he’s handed some rather hammy lines, he delivers them free of irony (almost) without coming off as schmaltzy or saccharine, a very fine line to tread.Īlmost in response, “Nausicaä of the Valley of the Wind” follows, featuring veteran Emily McEwan. I rarely like vocals in my jazz, but this is the kind of overbearingly stylish, lovably old-fashioned tune that just works with a leading dapper gentleman singing tenor (not being Freudian here, honest). In a nod to the previous volume, he’s featured in the opening track: “Galaxy Express 999.” It’s a lively number in much the same style as “Hajimete no Chuu” from Platina Jazz Vol. This genuine, uncontrived musical philosophy is a part of what has made Platina Jazz such an artistic success.Īs we move into the album, Niklas Gabrielsson continues to impress as one of the strongest points of the disc. RASMUS FABER PRESENTS PLATINA JAZZ ANIME STANDARDS DOWNLOAD SERIESIt would have been very easy to select some of the most popular songs from the past few years to adapt onto these albums, but the series has never resorted to pandering that way. Its incredibly diverse source material selections, from background themes of classic films released in the 70’s to OP’s of very recent shows, were chosen with care. Even if the performers weren’t total anime fanatics, the music of our beloved niche medium was being respected and taken seriously, and this reverence permeates every aspect of Platina Jazz. While I was initially skeptical, the series in general has been thrilling, executed with real sensitivity and a palpable appreciation for the source material. As you likely already know, the series’ aim is to reinterpret much-loved songs from the anime canon into a jazz setting. It’s safe to say that no one saw Platina Jazz coming. En Route on the Journey (from “Spice and Wolf”) God Only Knows (from “The World God Only Knows”)ġ6. Target a (from “When Cicadas Cry Solutions”)ġ5. The Promise of an Angel (from “His and Her Circumstances”)ġ4. Love Me Delicately (from “Magical Angel Creamy Mami”)ġ3. In the Silence of the Shining Sky (from “Kuroshitsuji II”)ġ2.
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